See the complete profile on LinkedIn and discover Jing’s. It is something extracted from a recollection of experience and imagination it comes from a person who appreciates the past and embraces the possibilities of the future. View Jing Huang’s profile on LinkedIn, the world’s largest professional community. The scene now looks ambiguous - it is neither the picture of my hometown nor the view of here. Comparing and utilizing the symbols and values from the east and the west, I trace my past, find my position. In my recent work, I have been exploring nature, identity, miniature, dislocation, cultures and conventions. I move around, my work continues to change my point of view. Living and moving among cultures, histories, values, languages, and assumptions always brings more – a question or an answer? He is particularly interested in the study of graph structures and the uses of structural properties of graphs. Interest shifts and switches here to there, back and forth. Art practice and life experience bound tightly. My voice changes when I speak another language. Language for me is a lens to sense culture, identity and location. Tasting newness and oldness at the same time, I become the distance and difference I am there, here, then, now. It’s quite magical.If the distance between China and North America is 7723 km, then what is the distance between the previous me and the current me? If there are 12 hours between home and here, what time is it now? When a new life meets an old one, that moment draws me close. With a rangefinder I can do a pretty good job at calculating how the various objects will relate to each other it makes accurate composition with larger depths of field much easier. This gives things a vivid, more powerful impression. He always has his Leica M4-P on him: “I prefer using wide-angle lenses and working with smaller apertures. All are helping me explore the deepest places in my heart.” “I belong to the environment: light, wind, water, stone, animals and people. His images are like an emotional feedback system. His keen sense for the moment comes from his spiritual awareness. I’ve tried colour photography but it wasn’t expressive enough for my heart.” Jing Huang’s photos are not primarily about the things in the picture – a strange kind of paradox in the field of photography. “It’s very natural for me to choose black and white. Facebook gives people the power to share. Join Facebook to connect with Jing Huang and others you may know. Viewers see the world as it is seen through the eyes of the photographer.Įmotions are the colours Jing Huang uses to create his pictures: to give them adequate expression, he uses black and white film. View the profiles of people named Jing Huang. His images communicate what he has to say without the need for words. And that is why the camera is his eye, and photography is the medium to express his innermost thoughts. Jing Huang explains that he could never be a good writer because he finds it difficult to find the right words. The young photographer has discovered a way to lend enormous depth to familiar and seemingly trivial things. Everyday scenes and objects are suffused with a magic that captures the viewer’s soul. Nevertheless, each photo has a charisma of its own. He discovers his subjects just outside his door, on his way to work, out with friends, or even at home. It’s better for me to capture something emotionally.” “When I’m with my camera, I follow my intuition. Through his camera the photographer expresses his inner feelings to the outer world – and true poetry emerges. Jing Huang’s camera is more than just a working tool. Lost in thought, people gaze into the distance at the hint of a horizon. Almost unnoticed, a pig’s snout appears from behind a wall a lotus leaf reveals a morbid tear a canary muted behind a plastic bag. Each of his twelve black and white images has its own unique story to tell. It shows landscapes, wildlife and close-ups. The portfolio “Pure of Sight” is not dedicated to any subject in particular. Jing Huang’s photographs of everyday trivialities are atmospheric, sophisticated and tender. With his Leica M4-P he has transformed the trivial things of everyday life into dreamy, poetic works of art. Jing Huang applies this philosophy to his photography. Jing Huang – Pure of Sight, Newcomer 2011 Traditional Chinese painting places less emphasis on meticulous detail and more on emotional delivery.
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